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“Imaging the Subjective”
Neuroaesthetics in Focus, ed. Anjan Chatterjee and Eileen Carrillo (forthcoming, Oxford University Press)
(Edward A. Vessel and G. Gabrielle Starr)

“Form and Perception: Wallace Stevens and Cognitive Perspectives on Aesthetics”
Cambridge Companion to Wallace Stevens, ed. Barry Eeckhout and Gül Han. New York: Cambridge University Press (forthcoming)

“Progress and Promise in Neuroaesthetics”
Neuron (forthcoming, 25 November 2020)
(Kyohito Iigaya, John P. O’Doherty, G. Gabrielle Starr)

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Further Reading, ed. Matthew Rubery and Leah Price. New York: Oxford University Press (2020): 282-293.
(G. Gabrielle Starr and Amy M. Belfi)

“The default-mode network represents aesthetic appeal that generalizes across visual domains”
Proceedings of the National Academy of Science 116:38 (2019), 19155-19164.
(Edward A. Vessel, Asye Ilkay Isik, Amy M. Belfi, Jonathan L. Stahl, G. Gabrielle Starr)

“Dynamics of aesthetic experience are reflected in the default-mode network”
NeuroImage 188 (2019): 584-597.
(Amy M. Belfi, Edward A. Vessel, Aenne Brielmann, Ayse Ilkay Isik, Anjan Chatterjee, Helmut Leder, Denis G. Pelli, G. Gabrielle Starr) 

“”&�Բ�����;Cognition (2018)
(Edward A. Vessel, Natalia Maurer, Alexander H. Denker, and G. Gabrielle Starr)

“Rapid timing of musical aesthetic judgments”
Journal of Experimental Psychology: General (2018): 147:10, 1531-1543
(Amy M. Belfi, Anna Kasdan, Jess Rowland, Edward A. Vessel, G. Gabrielle Starr, David Poeppel)

“Cognitive Literary Criticism”
Companion to Literary Theory, ed. David Richter
London: Wiley (2018): 408-22. 

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The SAGE Encyclopedia of Lifespan Human Development, ed. Marc H. Bornstein, Martha E. Arterberry, Karen L. Fingerman, and Jennifer E. Lansfords
Thousand Oaks, CA: SAGE (2018)

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Psychology of Aesthetics, Creativity, and the Arts (2017)
(Amy M. Belfi, Edward A. Vessel, and G. Gabrielle Starr)

“Motion in Stevens and Frost”
The Wallace Stevens Journal 44:1 (2017): 90-92

“Aesthetics and Impossible Embodiment: Stevens, Imagery and Disorientation”
The Wallace Stevens Journal 39:2 (2015): 157-81.

“Theorizing Imagery, Aesthetics, and the Idea of Double Direction”
The Oxford Companion to Cognitive Approaches to Literature, ed. Lisa Zunshine
New York: Oxford University Press (2015): 246-68

“Neuroaesthetics: Art”
The Oxford Encyclopedia of Aesthetics, second edition, ed. Michael Kelly
New York: Oxford University Press (2014) 4:487-91

“Aesthetics and Taste: The Beautiful, the Sublime, and Beyond in the Eighteenth Century”
A Companion to British Literature: Volume III: Long Eighteenth-Century Literature 1660-1837, ed. Robert DeMaria, Jr., Heesok Chang, and Samantha Zacher
London: Blackwell (2014): 258-76

“Personalized Visual Aesthetics”
(Edward A. Vessel, Jonathan Stahl, Natalia Maurer, Alexander Denker, G. Gabrielle Starr)
Proceedings of SPIE: Quality of Experience: Cognition, Emotion and Aesthetics 9014 (2014). doi:10.1117/12.2043126

“Art Reaches Within: Aesthetic Experience, the Self and the Default Mode Network”
(Edward A. Vessel, G. Gabrielle Starr and Nava Rubin; “Tier 2”—invitations for Tier 2 publication are extended to authors whose research received highest ratings in Frontiers journals; refereed)

Frontiers in Neuroscience 7:258 (2013). doi: 10.3389/fnins.2013.00258

Nonsite, “The Tank: Michael Clune” (2013):

“Evolved Reading and the Science(s) of Literary Study”
Critical Inquiry (Winter 2012): 418-25

“The Brain on Art: Intense Aesthetic Experience Activates the Default Mode Network” (Edward A. Vessel, G. Gabrielle Starr and Nava Rubin)

Frontiers in Human Neuroscience 6:66 (2012) doi: 10.3389/fnhum.2012.00066

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The Princeton Encyclopedia of Poetry and Poetics, ed. Roland Greene
Princeton: Princeton University Press (2012): 393-94

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The Princeton Encyclopedia of Poetry and Poetics, ed. Roland Greene
Princeton: Princeton University Press (2012): 1290-92

“Ovid, Burney, and the Value of the Beautiful”&�Բ�����;
Eighteenth-Century Fiction 24:1 (Fall 2011): 77-104
(Nominated by Eighteenth-Century Fiction for the James L. Clifford Prize, 2012-13)

“Narrative and Poesis: Defoe, Ovid and Transformative Writing”
Narrative Developments from Chaucer to Defoe, ed. Gerd Bayer and Ebbe Kiltgård (161-77)
New York: Routledge, 2010

“Multi-sensory Imagery” (invited)
Introduction to Cognitive Cultural Studies, ed. Lisa Zunshine (275-91)
Baltimore: The Johns Hopkins University Press, 2010 

“Poetic Subjects and Grecian Urns: Close Reading, Subjective Response, and the Tools of Cognitive Science”
Modern Philology 105:1 (August 2007): 48-61

“Poetic Making and the Limits of Tropes: A Response to Brett Bourbon”
Modern Philology 105:1 (August 2007): 44-7

“Cavendish, Aesthetics, and the Anti-Platonic Line”
Eighteenth-Century Studies 39:3 (Spring 2006): 295-308

“Objects, Imaginings, and Facts: Going Beyond Genre in Behn and Defoe”
Eighteenth-Century Fiction 16:4 (July 2004): 499-518

“Ethics, Meaning, and the Work of Beauty”
Eighteenth-Century Studies 35:3 (Spring 2002): 361-378
(reprinted in Proust: Modern Critical Interpretations)

“Clarissa’s Relics and Lyric Community”
Studies in Eighteenth-Century Culture 30 (2001): 127-151

“Love’s Proper Musick: Lyric Inflection in Behn’s Epistles”&�Բ�����;
Aphra Behn: Identity, Alterity, Ambiguity
Paris: L’Harmattan, 2000: 111-124

“Rereading ‘Prose Fiction’: Lyric Convention in Aphra Behn and Eliza Haywood”&�Բ�����;
Eighteenth-Century Fiction 12:1 (October 1999): 1-18