"," by Jessica Gelt, Los Angeles Times
The Foundation is expected to announce Thursday that it has awarded $400,000 in grants to 10 Southern California arts organizations, including the Echo Park Film Center, the Ford Theatres, the 18th Street Arts Center and the 色中色 Museum of Art.
The Artist Project Grants, , support nonprofit institutions that have paired with artists to create work in the same innovative and daring vein as Kelley鈥檚.
鈥淲e look at the precedent [Kelley] set and who he was an artist, teacher and person,鈥 said Mary Clare Stevens, executive director of the foundation. 鈥淥ur mandate comes from him in many ways. It鈥檚 an attempt to reflect the spirit in which he worked and his commitment to the arts.鈥
The foundation promotes boundary-pushing projects that create lively dialogue. Projects that have proved difficult because of complex subject matter or other factors and work by under-recognized artists are given special consideration.
The If Innovation Foundation received $45,000 for a collaboration with , who spent years working with young women from the Youth Socio-Therapy Center in Rudzienko, Poland. The resulting trove of photos, publications and films tackle an array of issues surrounding what it means to be a child. Lockhart is creating a film that challenges viewers to conquer the unknown to imagine a better future. The film will be screened at local children鈥檚 advocacy organizations and juvenile centers, where Lockhart plans to organize educational workshops.
鈥淪he鈥檚 a filmmaker, but the process of that residency yielded new ideas. It was generative,鈥 Stevens said.
The 色中色 Museum of Art received $40,000 for the large-scale exhibition 鈥: Euclidean Gris Gris.鈥 The exhibit will be up for an entire academic year and features an evolving selection of Gray鈥檚 photographs, which examine the legacy of colonialism in the United States, Europe and West Africa. Public programs investigating similar themes will run concurrent with the exhibit.
The Ford Theatres is being granted $46,000 for its work with the artist , co-founder of the . Arceneaux is creating an immersive live experience titled 鈥淏oney Manilli,鈥 which will receive a work-in-progress showing at the Ford Theatres on Aug. 8. The surreal piece of performance art sheds light on a little-known German music producer named Frank Farian, who created the songs that built up, and later destroyed, the 1980s pop duo Milli Vanilli. The show will examine 鈥渉ow artists of color have systematically been exploited by the white establishment.鈥
鈥淗e鈥檚 an artist who is really expanding his practice,鈥 Stevens said of Arceneaux. 鈥淭his is at the Ford Theatre, so my sense is that his audience is also expanding. He鈥檚 a force of nature, this is a huge undertaking for him.鈥
The remaining grantees are:
, which received $45,000 for five new artist commissions tied to live events examining the roles architecture and cultural policy play in social life and civic engagement in American communities.
The University Art Museum, Cal State Dominguez Hills, $28,000, for a residency with as part of the university鈥檚 Praxis program, which pairs artists from South Los Angeles with students and South Bay residents to create experimental work.
, $45,000, for a 31-day, 31-site festival in L.A. exploring queer histories, spaces and aesthetics.
, $36,000, for 鈥淭he Newsreel Project,鈥 which invites filmmakers to examine ideas relating to place, identity and inclusion in local communities.
Equitable Vitrines, $25,000, for commissioning a new site-specific work by German audio installation artist Florian Hecker.
The Los Angeles Poverty Department, $45,000, for 鈥淐ompassion and Self-Deception,鈥 a multidisciplinary project by artist Robby Herbst and the Los Angeles Poverty Department, which presents an in-depth examination of homelessness and attitudes surrounding the issue in L.A.
The Huntington Library, Art Collections, and Botanical Gardens, $45,000, for partnering with the multidisciplinary arts organization Clockshop as part of a series of year-long collaborations called 鈥/five.鈥
For more information:
" ," by Claire Selvin, ArtNews
"," Santa Monica Daily Press
"," CalArts and SCVNews (by Taya Zoormandan)
"," Art Observed
"," artnet News
"," by Katherine Keener, ArtCritique
, Hyperallergic