Emrys King 鈥25 is writing his mathematics senior thesis on the history of statistics and its connections to the eugenics movement. Faculty in art, politics, Asian American studies, neuroscience, molecular biology, English and German are all giving him input on it.
King is one of 15 Pomona Humanities Studio fellows this year. The fellows鈥攃omprised of faculty, students and postdoctoral fellows鈥攇ather on Friday afternoons for three hours around a seminar table on the second floor of the Seeley G. Mudd building, where The Humanities Studio has been housed since its 2018 inception.
Facilitated by W. M. Keck Professor of English Kevin Dettmar, the fellows read and discuss texts with broad humanities application and interdisciplinary scope. They also present on their own research projects and workshop them with each other.
鈥淧eople in the humanities need support. We need time, and we need conversation and community,鈥 says Dettmar, who serves as the director of The Humanities Studio.
There are perhaps no other spaces like this on campus, where faculty and students interact across disciplines and as peers.
鈥淚t鈥檚 a really unique atmosphere,鈥 says Ananya Ramkumar 鈥25, a biology and English double major. 鈥淲e connect as people and as thinkers, and the power dynamic is different. It allows me to be in the space in a way that鈥檚 just for learning and growing,鈥
鈥淚f you have an idea as a student and you say it, it gets treated with the same level of respect and seriousness as if faculty say it,鈥 adds King.
At a recent seminar gathering, Erubey Lopez 鈥25 presented a draft of his linguistics thesis. Lopez is studying the Yucatan Spanish dialect and how it differs from other Mexican dialects.
Clara Meyers 鈥25, an English major, says, 鈥淚t was interesting to hear the different perspectives of students and professors because people are coming from such different fields. Reading a linguistics paper as an English major is very different from reading it as a math major. There are a lot of different angles that come into play and make for interesting conversation.鈥
Often when writing a paper, Meyers says she might work on it on her own before turning it in and receiving some feedback. But as a Humanities Studio fellow this year, she is appreciating the communal process of research and writing.
鈥淚t鈥檚 really nice that we all have works in progress that we鈥檙e working on together and thinking about together,鈥 says Meyers.
鈥淵ou get this built-in set of pseudo advisors,鈥 says King. 鈥淭he people who will be reading and evaluating my thesis are mathematicians, but I also want it to make sense for historians and a broader audience.鈥
The weekly seminar is one main component of The Humanities Studio. Another is a year-long lineup of visiting speakers. So far this year, the Studio has brought documentary director Arthur Jones, historian Danny Widener and poet Maggie Millner to campus to speak to a broader audience.
The Humanities Studio fellows receive the added benefit of interacting with these visiting speakers in a more intimate setting during their Friday afternoon seminar.
鈥淚t feels more informal than the presentation,鈥 says King, 鈥渁nd you have greater access to asking what the speakers think about different things.鈥
Each year, the fellows鈥 research projects are organized around an annual theme. This year鈥檚 theme is 鈥淐onnections.鈥
鈥淎ll good humanities scholarship is ultimately a revelation of connections,鈥 says Dettmar. 鈥淓very year we bring together a unique scholarly community to search for them together, across the disciplines. The difference this year is that connection isn鈥檛 just our mode鈥攊t鈥檚 our theme.鈥
Although the theme is an intellectual one, the connections that are made go beyond the academic.
鈥淚t鈥檚 a wonderful community with folks that I might not have been in contact with,鈥 says Lopez.
鈥淚 feel like I have 16 new friends,鈥 says King. 鈥淚鈥檓 very grateful that I get to know them before I leave Pomona.鈥